A number of plot threads have been developing throughout the series, all of which untangle themselves satisfyingly in this final story. Zenana is the culmination of an unusually serialised run of episodes for Endeavour. Another towpath murder, followed by a mysterious accident within the bounds of her sanctuary, doesn’t do much to soften attitudes on either side. When she drops the stereotyping, bringing up the hard fact that only five Oxford colleges permit women at all, it’s hard not to see her point. It’s a controversial topic, but no amount of protests – or Dr Byrne’s insistence that St Matilda’s student body is at risk, threatened from without by the ravening beasts of the opposite sex – can hold back a push for parity. Much to the fury of Magdalena Byrne (Marianne Oldham), her academic colleagues are holding a referendum on male membership of the college. St Matilda’s College is the last bastion of all-female education in the University, but that might soon change. Turns out that a spate of unsolved, barely connected murders might do what a corruption scandal never could. Well, the former – or a vision of it, at any rate – has made its appearance. The previous episodes of this brief seventh series have seen a growing froideur between Morse and Thursday: two friends we once thought couldn’t be parted, come hell or high water. For long-time Endeavour viewers, though, it’s another chill that’s of more concern. There’s a frost in the Oxford air, glimmering on the college quads as another year draws to a close.
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